It is crucial to distinguish between exploitation and exploration. A keyword like this is often associated with extreme niche markets. However, mainstream cinema has borrowed these techniques for decades. David Lynch’s Lost Highway uses "Anything Goes" logic. Gaspar Noé’s Irréversible uses traumatic reverse-chronology (a form of Split Scenes) to explore a Pure Taboo subject. Michael Haneke’s Funny Games explicitly uses the "Anything Goes" rule by allowing the villains to rewind the film.