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Perhaps the most profound stories are those about the end. The mother-son relationship does not end with the son’s adulthood; it ends with her death. How a son lets go—or fails to—is the final test.

Stories often center on the tension of a mother learning to release her grip as her son grows into a man. Notable Examples in Literature Sons and Lovers by D.H. Lawrence: hd online player japanese mom son incest movie with e

The literary godfather of this archetype is —or rather, the idea of her. In Robert Bloch’s 1959 novel Psycho , and more famously in Hitchcock’s 1960 film, Mother is a corpse and a voice, a tyrannical superego preserved in a fruit cellar. Norman’s relationship with his mother is a monologue of domination. She taught him that “a boy’s best friend is his mother,” and that “all other women are whores.” The horror of Psycho is not the shower scene; it is the revelation that the mother’s voice has completely colonized the son’s identity. Norman no longer has a self; he is his mother’s vessel. This is the ultimate expression of the devouring mother: the one who erases the son entirely. Perhaps the most profound stories are those about the end