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The New Golden Age: Why Mature Women are Reclaiming the Spotlight
Mature women are finally allowed to be monstrous. Nicole Kidman in "The Undoing," Robin Wright in "The Girl Who Got Away," and the legendary Glenn Close in "The Wife" and "Hillbilly Elegy" have shown that the older woman’s psyche is a labyrinth of regret, ambition, and rage. These are not "Karens"; these are Medeas. Cinema is finally allowing mature women to be complicated, unlikable, and magnificent.
Michelle Yeoh, at 60, won an Oscar for Everything Everywhere All at Once . She wasn't a retired master being a mentor; she was the exhausted, overwhelmed, glorious protagonist doing martial arts and tax evasion simultaneously.
The New Golden Age: Why Mature Women are Reclaiming the Spotlight
Mature women are finally allowed to be monstrous. Nicole Kidman in "The Undoing," Robin Wright in "The Girl Who Got Away," and the legendary Glenn Close in "The Wife" and "Hillbilly Elegy" have shown that the older woman’s psyche is a labyrinth of regret, ambition, and rage. These are not "Karens"; these are Medeas. Cinema is finally allowing mature women to be complicated, unlikable, and magnificent.
Michelle Yeoh, at 60, won an Oscar for Everything Everywhere All at Once . She wasn't a retired master being a mentor; she was the exhausted, overwhelmed, glorious protagonist doing martial arts and tax evasion simultaneously.
