While not yet full-blown erotica, the film contains significant nudity and provocative themes, foreshadowing Brass's later work. Authentic Performances:
Giulia, a woman of striking, angular beauty, stood on the balcony of the pensione. She was wearing a light cotton dress that the sea breeze pressed against her form, outlining the silhouette of her body. She felt the eyes of the fishermen down on the dock. In the world she came from—Milan, the high-walled apartments, the dinner parties of the bourgeoisie—looking was a sin, or at least a breach of etiquette. Here, on vacation, looking was the only currency that mattered. the vacation la vacanza tinto brass 1971 s hot